Composition Wallboard. Composition wallboard usually presents no particular painting difficulties if the ordinary precautions are observed, such as making certain that the surface is dry and free from grease and oil. The painting procedure for wallboard is the same as for plaster; it requires a priming and sealing coat followed by whatever finishes coats are desired, or may be given one-coat flat or resin-emulsion type paint.
A good interior paint job is often 50% preparation and 50% painting. Do not rush in preparing the surfaces in your eagerness to get at the brush or roller. If you do not prepare the surfaces properly, you'll be back with the paint brush or roller in a few months.
How Much Paint You Really Need. How much paint you will need to satisfactorily complete a paint project is determined by 2 factors. The first, paint coverage, is a familiar concept to most people. It simply concerns the square footage of surface area to be painted, and "paint coverage calculators" abound on the web. However, the second concept, paint color coverage, has a much more pronounced effect on how much paint will be needed and the cost of paint projects. Unfortunately, paint color coverage is a novel concept to many painters and, in fact, is poorly understood even by many professionals. Knowing the secrets of paint color coverage will allow you to reduce the number coats you have to apply and minimize how much paint you have to buy.
Anti-condensation paints are used for rooms with humid conditions such as kitchen and bathrooms. This paint is usually formulated to prevent condensation and often includes fungicide.
Concrete Floors. Two general types of paints for concrete floors are varnish and rubber-base paint. Each has its limitations and the finish cannot be patched without the patched area showing through. Floor and deck enamel of the varnish type gives good service on concrete floors above grade where there is no moisture present.
The purpose of this article is to take the mystery out of the process of painting. This article is only written to get you started. I'll write more detailed techniques later. But this article will set you on your way to experimenting and having fun with paint. Ultimately it's like anything in this world. Before you have the knowledge, it's complicated. But once you have it, it's easy! Knowledge is power, and this phenomenon definitely applies to painting. The technical aspects are the easy part. Anyone can do it. You ultimately could be as capable as Monet with practice. We humans can do whatever we decide to do! Deciding WHAT to paint is the hard part. It takes discipline and a singularly focused desire to create one painting after another. For whatever reason, I loved it the minute I started. And I never looked back. I love it today as much as I did over 16 years ago. I never have "writer's block" either as to what to paint. I just paint from my experiences in life. So don't think too hard on it. Paint that apple sitting on the table, or paint the tree in your own back yard, paint your girlfriend in an unusual way. But paint something that means something to you, that's all that matters. Make it funky, make it interesting. If it's abstract, remember that abstract art has long been the most desirable. It's an expression of the individual, make it unique. For those who want realism, take a picture. What's amazing is that once you do it, you realize it's the ultimate escape into happiness. Suddenly you forget your problems for that period of time. You have control, and no one can take it away from you once you are skilled at painting. The process is addicting. But like anything, you must START! And once you do, look out....you'll be hooked.
The area covered by a gallon of whitewash depends upon the nature of the surface, but ordinarily a gallon will cover about 225 sq. ft. on wood, about 180 sq. ft. on brick, and about 270 sq. ft. on plaster. The formulas mentioned will make from 10 to 14 gallons of whitewash. If a smaller quantity is desired, the amount of each ingredient should be reduced proportionately.
Artist Muriel Fahrion, who helped create Strawberry Shortcake’s look, was also among the franchise’s first concept artists. Working with TCFC Creative VP Ralph Shaffer, Fabrion designed the first six bears, creating greeting card themes for their belly graphics. Susan Trentel, Muriel’s sister and doll designer of Strawberry Shortcake, designed the Care Bears plush. Once out of the concept stage children’s book illustrator Elena Kucharik became the primary artist for the Care Bears creating hundreds of full color illustrations for cards, books and various licensed products. TCFC’s team of artists and writers worked to create many characters in the line, which was a joint development by Those Characters From Cleveland and MAD (Marketing and Design Service of the toy group of General Mills). :53