Paste and powder paints should be mixed in quantities sufficient for immediate use only, as these materials often become unfit for application if allowed to stand for three or more hours. Matt - Describes paints that give a flat, non-reflective finish. It is ideal for walls and ceilings that are not perfectly smooth. The second part of preparation is surface prep, it addresses covering the surfaces you do not want to get any paint on. A little plastic sheeting will go along way to keeping paint off of floors, window coverings, handrails, cabinets, counter tops, etc... And, if you are not confident with your ability to paint a straight line next to door casing, baseboards, cabinets or hardware protect these surfaces using masking tape. There are two basic types of masking tape white/yellow and blue. The white tape sticks to surfaces better but, can pull off finishes on cabinets or stained woodwork. Blue tape usually will not pull off finishes but, does not stick as well, this will probably be the tape to use for most applications. Always wipe down or dust the surface you will be masking to assure the best tape adhesion possible. If you use blue tape you may need to re-rub down the tape before painting next to it, only mask off areas with blue tape that you will be painting for a given day. With either tapes, do not assume the are a force field that paint will not penetrate, use them as a reference and dry brush the paint next to the edge of the tape and avoid soaking the edge of the tape with a lot of paint, this will cause the paint to "bleed" through giving you an undesired look. If you will need to apply multiple coats of paint, on the first coat, paint as close to the tape as you can, not really getting paint on the tape. With the second coat or a one coat application, you can use the tape more of like a paint barrier and get a little more paint on the tape if you immediately remove each section of tape after painting the section, this will keep the paint from sitting on the tape and "bleeding" behind it. Also, if you get a lot of paint on the tape it is not good to let the paint dry on the tape because some paints (especially the glossier paints) will peel if allowed to dried, with the tape when it is pulled off. White tape should not be left on for longer than a couple of days and I suggest not leaving it on more than a day in areas that receive long periods of direct sunlight. Blue tape can be left on for days, if it will stay on, there again it does not stick as well and may need rubbed down again immediately before painting up next to it.
Feel free to email me if you have questions at the email addresses below. But most important, you'll find that with each painting you'll get better and better. Carry forward everything you learn from each work and eventually you'll have real talent! But only if you keep at it. And don't worry about people telling you you're crazy. They told that to van Gogh too! Sweet justice Vincent, sweet justice. He's certainly getting the last laugh, isn't he? And the world will know who Vincent van Gogh was for the rest of time. Not a bad gig. Concrete Floors. Two general types of paints for concrete floors are varnish and rubber-base paint. Each has its limitations and the finish cannot be patched without the patched area showing through. Floor and deck enamel of the varnish type gives good service on concrete floors above grade where there is no moisture present. Once you figure out which position is prime and which position is spray, place the valve in the prime position and grab the primer hose. Point the primer hose in the empty bucket near the top and at an aproxx.45 degree angle from the side (the reason for this is that there is likely to be pressure still built up in the airless and when you first switch on the airless to prime it, paint will likely burst out of the primer hose and you don't want to have it go everywhere). Now turn the airless paint sprayer on and you will see that the airless is sucking up the new paint and pumping out the primer hose. At first you will typically see a cleaning solution come out followed by your paint. When you see your paint coming out switch over the primer valve to the other position and you will see the airless pumping paint into the main hose. The perspective. Do you feel the distance between you and the painting? Are you an observer or a participant? The way you feel is dictated by the artistic choice - it's never a coincidence. An artist thoroughly selected the angle: you may look upwards, or downwards, or be at the same level with the objects depicted. If the horizon is at your eye level, the impression you will get is calm, stable. The high horizon will reveal more space, in landscapes it provides a majestic view. Paintings with the low horizon, so common with Dali, are monumental, highlighting the size of the objects and figures. The unusual views of Paris by Pissarro appeared as he painted from the hotel rooms.