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If you are going to paint your home and have decided to do it yourself take a little extra time and spend a bit more money to do it right. Colors are subjective, but the quality of materials and painting tools are not. For this example we are going to go through the process of painting the interior of a typical home. In just about every paint job I did I insisted that customers used an oil based paint on woodwork and doors. Not only does oil paint make wood look and feel better it gives you a superior durable and washable finish that water based latex paint can't. There is nothing worse than seeing a newly painted door or frame ruined by fingerprints and other marks.



Traditional Paints. Available from specialists such as Farrow & Ball and The Real Paint & Varnish Company, lime wash and distemper paints can be useful for restoration projects, although some of the contents are potentially hazardous and can irritate eyes and skin. Use the modern equivalents where possible, as these are usually safer and more effective.



Once you figure out which position is prime and which position is spray, place the valve in the prime position and grab the primer hose. Point the primer hose in the empty bucket near the top and at an aproxx.45 degree angle from the side (the reason for this is that there is likely to be pressure still built up in the airless and when you first switch on the airless to prime it, paint will likely burst out of the primer hose and you don't want to have it go everywhere). Now turn the airless paint sprayer on and you will see that the airless is sucking up the new paint and pumping out the primer hose. At first you will typically see a cleaning solution come out followed by your paint. When you see your paint coming out switch over the primer valve to the other position and you will see the airless pumping paint into the main hose.


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Malabar and Designers Guild offer some striking brights while the new Shades of Sanderson comprises 120 colours tailored to Sanderson's collections. If you are aiming for a more subtle backdrop that will flow through several rooms, it's wise to stick to neutral shades. Kevin McCloud's Elements of Colour for Fired Earth works especially well with our cool, northern light.



Value refers to how light or dark a color is. Colors like pink or aqua are identified as colors of high value. Colors like maroon and navy are identified as colors of low value. If you produce a painting with predominately higher values, the painting is referred to as a "high key" painting. On the contrary, paintings produced with predominately lower values, are referred to as "low key".



OK, now let it dry overnight. The next day....or whenever you get around to it....mix a lot of Galkyd with just a little bit of color and glaze it over the first layer. Layer upon layer....allowing each layer to dry... is what makes paintings look finished and interesting and expensive in my view. Certainly you can paint wet on wet, as van Gogh did. But that's a much harder proposition we'll talk about later. You can put as many layers as you wish until you get your desired look. A thin glaze of Galkyd with just a little black works great on top of any dried color underneath. It give it an antique and finished look. But be careful not to add too much black. Don't worry, if you put too much just wipe it off and start over. That's the great thing about oil is it dries slower and you can tweak, correct, start over before it dries. Tip: a thin layer of yellow glaze looks good on top of almost any color too. A thin glaze of green looks good over blue, a thin glaze of blue looks good over purple. But ultimately you can pick and choose and experiment with which color to add to your glazes. There are no rules. Invent ones of your own. A thin glaze of yellow on top of a dried layer of red looks awesome. A thin layer of yellow on boring brown make it look like expensive and not-boring brown. You get the idea. But make the process your own and have fun with it. No one will ever do it quite the way you do, and that's what's interesting about the process.