Since the release of the first novel, Harry Potter and the Philosopher’s Stone, on 26 June 1997, the books have found immense popularity, critical acclaim and commercial success worldwide. They have attracted a wide adult audience as well as younger readers and are often considered cornerstones of modern young adult literature. As of February 2018[update], the books have sold more than 500 million copies worldwide, making them the best-selling book series in history, and have been translated into eighty languages. The last four books consecutively set records as the fastest-selling books in history, with the final instalment selling roughly eleven million copies in the United States within twenty-four hours of its release.
Reading also needs good visual perceptual skills. Shape perception allows us to recognise the similarities and differences in the shape of letters. Figure-ground perception is needed to be able to see the separate words on the page and the separate letters in the words. Spatial perception allows us to see where one word starts and another ends and which way round a letter must face. OK, let's get started. Step one...supplies. You need a flat brush, a fan, a small detail brush and a couple of Filberts. A filbert is a rounded edge brush that lets you maneuver the paint easily without going outside the edges. Ultimately buy brushes that you like though, and make them work. Fans allow you to blend, for example. I use fans a lot and it's how I graduate color throughout my images. Everything I paint is by hand....no airbrushing or assistants. I want it to be an expression of me and nobody else. You also need an oil painting medium to mix with the oil paint to make it more fluid, and to speed or slow the drying process. Whichever you prefer. Go to the art store and don't be afraid to ask for help....they'll love helping you! A medium is merely an additive liquid which increases gloss, makes it flow easily, preserves the finish over time, keeps it from yellowing. I personally love Galkyd and Galkyd Lite. If that isn't available, buy a medium that looks like liquid amber and is kind of thick. Don't buy watery looking mediums....too hard to work with. The principal ingredient in whitewash is lime paste. A satisfactory paste can be made with hydrated lime, but better results are obtained by using quicklime paste that has been slaked with enough water to make it moderately stiff. The lime paste should be kept in a loosely covered container for at least several days. Eight gallons of stiff lime paste can be made by slaking 25 lbs. of quicklime in 10 gallons of water, or by soaking 50 lbs. of hydrated lime in 6 gallons of water. After soaking, the paste should be strained through a fine screen to remove lumps or foreign matter.
The solution in these circumstances is that it is best to not try drastic changes. If you feel you must make these major changes in your hair color. It is best to accomplish it gradually by adding low lights, (darker placements of color), or highlights, ( lighter placements of color). Will the hair color damage my hair? That is one of the number one questions that people ask most about coloring services. Hair color that is deposit only color, will not harm the hair. This is because the hair is being covered with a color primarily on the outside layer of the hair. This color choice is always one or more shades darker than your existing hair color. Do all your own body work . As mentioned earlier, the key to keeping your paint shop costs down is to do as much as possible before you take it to the shop. This includes body work, if you've got the skill, or the patience to learn the skill. Bodywork is time consuming. It requires several steps that must be done in the correct order, with the correct curing times in between. Shortcuts here will show up like a sore thumb in your new paint job, so don't be tempted. If you don't have the skill to tackle the body work yourself then it's smarter to let the paint shop do it. Just understand that this raises the cost of your paint job significantly. Good body work takes hours upon hours and having a professional do it can easily exceed the cost of a cheap paint job. The correct roller to use depends on the texture of the wall. On smooth walls you will need a 1/2" nap and on textured surfaces it will be more like a 3/4" - 1" nap depending on how rough the texture is. I always recommend a lamb skin, it will lay the paint off the best and provide maximum coverage. A roller pole is also great for saving your back, shoulder and arms from repetitious bending over and extension. If you will be using the roller for a couple of days, the same rule applies as with the brush, seal it in plastic completely to preserve it for the next day. Do not leave the roller submersed in paint or water over night, this will cause premature failure, by releasing the skin from the hardboard backing it is attached to. If you will be rolling a rough texture, like a stucco, make sure to purchase a roller frame (arm) that is sturdy and will hold up to constant applied pressure. There are many different kinds of textures, a smooth wall -which is really a "non-texture," will only need to be sanded and the outside edges sponged before painting over it. Hand texture which is easily reproduced by applying drywall compound with a drywall knife and troweling the compound on the patched area to simulate the existing wall texture. A rolled on texture is applied by rolling on some thinned down drywall compound or dry mix that water is added to -the thickness of the compound or dry mix will determine the heaviness of the texture. Some variations of roll on textures have a rough sand granule appearance and both dry mix types can be purchased at most local hardware stores, large hardware depots or at local paint stores, where you will also be able to find spray cans of orange peel or knock down texture. Always make sure to shake the can for a couple of minutes, then test out the spray pattern on a piece of cardboard or scrap sheet of drywall before trying to simulate it on the wall. Orange peel is just sprayed on and left to dry, you will need to experiment so you can adjust the spray nozzle to simulate the texture as close as possible to the size/pattern of the existing wall.